Visit our new location at 15 Greene Street, Ground Floor, New York, NY 10013.
Visit our new location at 15 Greene Street, Ground Floor, New York, NY 10013.
Works by Virva Hinemo, Gordon Moore, George Negroponte and Kazimira Rachfal are on view at 77 Jobs Lane, Southampton, NY through October 1 in collaboration with Laviano Design Studio.
View more on the gallery’s website: http://www.anitarogersgallery.com/
More information on Laviano Design Studio: https://www.lavianodesignstudio.com/
We all know that art can change your life, but what about helping to save it? A new report has found evidence that the arts bring a wide range of health benefits, speeding medical recoveries and improving overall quality of life. Released last week in the U.K., “Creative Health: The Arts for Health and Wellbeing” details numerous instances where the arts offered medical improvements for those of every age. That includes art therapy (which reduced agitation in those with dementia) and music (lullabies were seen to calm the heart, lessening the hospital stays for newborn children in neonatal intensive care).
Zeal NYC Recommends Joan Waltemath’s Exhibition
Art Break Downtown:
Where: Anita Rogers Gallery, 77 Mercer Street, #2-N
When: Now through May 10, Tue – Fri: 10-6, Sat: 12-4
Who: Joan Waltemath: Fecund Algorithms
What: Abstract paintings based on harmonic mathematical relationships
Why: The relationship between math and art is stronger than you might think
Fecund Algorithms [at Anita Rogers Gallery] introduces a new collection of paintings in a range of unique materials including oil, graphite, and various metallic and florescent pigments on aluminum panels, many of which take years for the artist to complete. Titled with anagrammatic terms, the series Torso/ Roots grapples with the complex and inextricable relationships between the human body and the mind, the physical and the spiritual, and art, architecture and the natural world. The pieces, at once bold and rich with subtleties, are vertically structured and based on a grid derived from harmonic mathematical relationships. Due to the reflective and absorbent nature of the pigments the artist chooses, new details emerge from the works as they are viewed from different perspectives and at various times of day; in this way, every interaction with one of the panels is a new experience. The works demand a physical reaction from the viewer, keeping them consistently aware, awake and engaged.
The collision and/or communion between repetition and randomness in the visual world is a perpetual source of interest for me. Just as what is regarded as “standard” I think of as being too formally familiar. Dichotomy and conflict create inventive dialectic. There is in this world a ubiquitous visual paradox which is a constant source of creative potential. As Oscar Wilde accurately put it: “The true mystery of the world is the VISIBLE not the INVISIBLE”. I wish to go there for a language. – Gordon Moore
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Read the full post on British American Household Staffing’s blog:
The collision and/or communion between repetition and randomness in the visual world is a perpetual source of interest for me. Just as what is regarded as “standard” I think of as being too formally familiar. Dichotomy and conflict create inventive dialectic. There is in this world a ubiquitous visual paradox which is a constant source of creative potential. As Oscar Wilde accurately put it: “The true mystery of the world is the VISIBLE not the INVISIBLE”. I wish to go there for a language.
Anita Rogers Gallery is thrilled to present an exhibition of new works on canvas and photo emulsion paper by the American painter, Gordon Moore. The exhibition will be on view February 15 – April 1, 2017 at 77 Mercer Street #2N, New York, NY.
In this exhibition Moore’s current work continues an interest in the dialogue he has developed over the past decade between the spontaneous flow of painterly liquids and the specific structural framework of his abstract configurations. The esoteric nature of abstraction offers an unlimited potential for invention. Using photo-emulsion paper as a ground for drawing, Moore embraces and encourages the imperfections inherent in the interaction between developer and emulsion. This in turn nurtures Moore’s large scale works on canvas which explore a similar approach to depth, dimension, balance and asymmetry. Moore’s pieces are exercises in asymmetrical equilibrium that challenge the viewers’ natural perceptions. The collection of works on view here are thoughtful meditations on connections and alignments – on the interaction between flatness and depth, deliberation and spontaneity, the real world and the painted world and finally between abstraction and figuration.
Born in Cherokee, IA, Moore received his undergraduate degree from the University of Washington, Seattle in 1970 and then went on to receive his MFA from Yale University in 1972. He has received numerous awards and grants including the National Endowment for the Arts-Visual Artists Fellowship, the Louis Comfort Tiffany Foundation Award in Painting, the Adolph and Ester Gottlieb Foundation Award in Painting, the Academy Award in Art from the American Academy of Arts and Letters, Pollock Krasner Foundation Grant and the New York Foundation for the Arts Fellowship. Moore’s work can be seen in the collections of the Museum of Fine Arts (Boston, MA), Yale University Art Gallery (CT), Baltimore Museum of Art (MD), General Electric Corporation (OH), the Krannert Art Museum (IL) and Kinkead Pavilion (IL).
London based painter Tristan Barlow is in a two person show with Dutch-born photographer Hans Neleman at Anita Rogers in Soho. Both artists explore processes of accumulation and excavation of cultural imagery and sensual physical substance. Barlow employs layers of marks and shapes that gel into luscious intuitive abstractions that convey a dynamic sense of place. Neleman constructs framed assemblages with great attention to the nuances of mystery and meaning latent in his time-worn found materials and images.
– STEVEN ALEXANDER
ANITA ROGERS GALLERY
This hidden gem exhibits a wide range of emerging to mid-career artists in an elegant high-ceilinged space flooded in light, with an old-fashioned fireplace to boot. Highlights include the abstract minimalist paintings of George Negroponte on irregular pieces of cardboard. While they may appear slight at first, there’s a subtle beauty of geometric expression that shines through the longer you peer into these unique creations.
– CHRISTOPHER KOMPANEK, TRAVELMAG
View the full list on TravelMag.com