Thanks to Marina Cashdan at Artsy for this piece.
“There’s an old-fashioned myth that having a baby is going to make it impossible to work,” says painter Nikki Maloof. “I had just started gaining a lot of momentum in my career when I found out I was pregnant, so it was scary.” Maloof’s fear could apply to any number of career-oriented women across numerous industries. A little over a year ago, I became a mother. It was an unknown that, while mostly exciting, was also terrifying. As a career-focused individual with a job that I love, I feared losing a sense of self and motherhood setting me back from all the hard work I had done—especially considering that men still make up more than 85 percent of top leadership roles in the United States.
Read the full piece on British American Household Staffing’s blog:
http://bahs.com/news/detail/you-can-be-a-mother-and-still-be-a-successful-artist
At times, abstract painting can seem like a received package, with little space left to think outside of the box. In Virva Hinnemo, to overplay the postal metaphor, we have an artist “pushing the envelope”—in her case, literally so. A form vocabulary and a gestural lexicon familiar from mid-century American masters Franz Kline, Robert Motherwell and Philip Guston meet the swift completion of their appointed rounds on flattened cartons as their repurposed, eccentric support. This strategy could have smacked of Arte Povera, Supports/Surfaces or currently fashionable “provisional” abstraction, but somehow in the hands of this Springs, NY-based Finnish artist the work manages to come across as visually sophisticated but stylistically innocent. Their charming, unforced modernism fits right into the refreshingly old-fashioned surroundings of this plush new venue, sharing quarters with another of proprietor Anita Rogers’ enterprises and thus itself an eccentric support.
