Tag Archives: George Negroponte

George Negroponte Featured in The East Hampton Star

Excerpt from “The Art Scene 3.14.19”

“When Love Comes to Town,” an exhibition of mixed-media paintings by George Negroponte, is at the Anita Rogers Gallery in SoHo through April 27. Created over the last several years, the works use house paint, Spackle, gesso, wallpaper, dirt, enamel, inventory labels, and spray paint on canvas, as well as found objects from the woods surrounding his house in Springs.

The show will also include works on paper, first begun in Sweden in 2008 and then set aside for a decade before being revisited this past year in collaboration with his wife, the artist Virva Hinnemo.

Read more about the exhibition at AnitaRogersGallery.com

East Hampton Star's The Art Scene 03.14.19

My Rothko. 2018. Mixed Media on Canvas. 8″ x 8″ Photo by Jenny Gorman

 

 

 

 

 

 

 

Hamptons Art Hub Highlights “Works on Paper”

New shows of all kinds are opening in New York City galleries this week. Art galleries in Chelsea, Uptown, Downtown and Brooklyn are hosting solo shows, group exhibitions and retrospective surveys. Viewers can check out sculpture that toes the line between childlike and creepy, portraits that are intimate looks into realistic or imaginary worlds and drawings that defy expectations.

DOWNTOWN — Anita Rogers Gallery: “Works on Paper: Drawings by Gordon Moore, George Negroponte, Morgan O’Hara and Joan Waltemath”

October 11 through November 11, 2017

Opening Reception: Wednesday, October 11, from 6 to 8 p.m.

Anita Rogers Gallery presents “Work on Paper: Drawings by Gordon Moore, George Negroponte, Morgan O’Hara and Joan Waltemath,” a group exhibition that aims to celebrate drawing as a primary form of artistic communication.

View the full article on HamptonsArtHub.com

Visit AnitaRogersGallery.com

Works on Paper: Drawings by Gordon Moore, George Negroponte, Morgan O’Hara and Joan Waltemath

It all goes back to drawing. – Gordon Moore

Anita Rogers Gallery presents Works on Paper, an exhibition of drawings by Gordon MooreGeorge NegroponteMorgan O’Hara and Joan Waltemath. The exhibition will be on view October 11 – November 11, 2017 at the gallery’s new location at 15 Greene Street, Ground Floor in SoHo, New York. There will be an opening reception on Wednesday, October 11, 6-8pm.

Collectively, the works in the exhibition reflect on the intimate nature of drawing. The pieces allow the viewer to engage with the artists and their processes in an exceptionally close manner. The show aims to celebrate drawing as not only fundamental to the artist’s practice but as a primary form of artistic communication.

gn-bluedit
Moore works in an innovative way; the grounds for his drawings are sheets of developed photo emulsion paper. He then draws on top of and in response to the elements present in the paper. There is an unusual depth to the final pieces – they challenge the viewers’ natural perceptions. Moore (b. 1947, Iowa) has pieces in the collections of the Museum of Fine Arts (Boston, MA), Yale University Art Gallery (CT), Baltimore Museum of Art (MD), General Electric Corporation (OH), the Krannert Art Museum (IL) and Kinkead Pavilion (IL).

gn-card
Negroponte will exhibit a series of drawings spanning from 1996 to 2016, each constructed from several pieces of paper, painted, cut and then placed back together in different configurations. On this work, Negroponte states, “Primacy counts more than anything right now. I want to get down to the barest essence: discarding the object for a trace or glimpse of it residing in the weight of each mark or shape.” Negroponte (b. 1953, New York) has work in the collections of the Harvard University Art Museum and The Metropolitan Museum of Art.

Waltemath makes mindful drawings; they are studies for her Torso/Roots series of paintings and will be on view unframed. Like her paintings they are based on a grid derived from harmonic mathematical relationships but, here, the handmade paper acts as both the ground and frame for the grid.  Its presence is as prominent and powerful as her paint. At once lush and subtle, her works on paper are delicate glimpses into her process. Waltemath (b. 1953, Nebraska) is in the collections of the Museum of Modern Art, the National Gallery of Art, the Hammer Museum and the Harvard University Art Museum.

mailchimp2

Anita Rogers Gallery in Southampton, NY in Collaboration with Laviano Design Studio

Works by Virva Hinemo, Gordon Moore, George Negroponte and Kazimira Rachfal are on view at 77 Jobs Lane, Southampton, NY through October 1 in collaboration with Laviano Design Studio.

View more on the gallery’s website: http://www.anitarogersgallery.com/

More information on Laviano Design Studio: https://www.lavianodesignstudio.com/

Taverna Rebetika 2017

On Saturday, January 28, Anita Rogers Gallery hosted TAVERNA REBETIKA, a special event celebrating Greece, life, music and art with traditional Rebetiko and Smyrnaiko. 

The gallery was transformed into a 1930s style Greek taverna for this special evening. There was live Greek music from the 1930s, Greek food, unlimited wine and Greek dancing in a traditional setting. Anita sang with Rebetiko group “I Meraklides.” Works by Brice Marden, George Negroponte and Jack Martin Rogers were on view for the event, all whom are either Greek or painted in Greece.

JMR-001-Andros

Painting by Jack Martin Rogers

Download short video of Taverna Rebetika.

Anita Rogers Gallery Named One of the Top Art Galleries in SoHo by TravelMag

ANITA ROGERS GALLERY

This hidden gem exhibits a wide range of emerging to mid-career artists in an elegant high-ceilinged space flooded in light, with an old-fashioned fireplace to boot. Highlights include the abstract minimalist paintings of George Negroponte on irregular pieces of cardboard. While they may appear slight at first, there’s a subtle beauty of geometric expression that shines through the longer you peer into these unique creations.ARGGN

– CHRISTOPHER KOMPANEK, TRAVELMAG

View the full list on TravelMag.com

How an Art Library Is Changing Lives in L.A.

Interesting article from Artsy.Net:

In 2004, Dan McCleary’s mother passed away. “My parents were avid book readers and collectors of art books,” the artist told me. “So instead of buying flowers, I told everyone to buy me books.”

That was the early genesis for a library of art books that grew to become the core of Art Division, an L.A. nonprofit space that provides free art education to underserved young adults in the city’s MacArthur Park neighborhood. As word spread that McCleary was collecting books, more donations came in from friends and fellow artists. “Chris Burden heard about it, got in touch with me and said his mother had just passed away, and did I want her books?” McCleary recalls. “He had amazing art books from his mother’s library. That was one of the big donations right at the beginning.” Today, Art Division boasts an impressive collection of over 8,000 books. And it’s still growing.

In the early days, McCleary was working as Director of Art Programs at Heart of Los Angeles (HOLA), another nonprofit that primarily focused on enrichment programs for kids from younger age groups. Eventually, he founded Art Division in 2010 with help from Javier Carrillo, Maria Galicia, and Emmanuel Galvez. They took the more adult-oriented books from the collection they’d amassed at HOLA—with permission—and set up shop in a building in the primarily Latino neighborhood of MacArthur Park. McCleary geared the space towards young adults between 18 and 26 who were “not ready to go off and be full-blown adults” as he puts it, but who had graduated high school and found what miniscule access to arts training they had cut off.

The 10,000 book library is the “heart and soul” of Art Division. From there, the nonprofit offers a range of courses and access to arts materials, providing something of a “high-end Master’s program for inner-city young adults,” said McCleary. “We give them an in-depth training in the arts.” Art Division offers entirely free classes (semesters are roughly 12 weeks) in art history, painting, drawing, printmaking, creative writing, film, and more. Access to materials, like the classes themselves, is completely gratis. Students are also taken to L.A.’s numerous museums (MOCA is a 10-minute drive) to actually see the art they studied first hand—a kind of in-person education not available even to some full-time art history undergraduates at rural schools. But beyond access, Art Division is different than your normal art history course. The latter is “slide after slide and half the class falls asleep,” McCleary said. “The point is that we don’t do that. We take a good look at the actual books and go see the art.”

And, of course, anyone can visit Art Division and crack open one of the thousands of books on the shelves to guide their studies or develop their interests as they see fit. That openness and freedom is important to McCleary. Beyond the classes, Art Division serves as a space where residents can come to relax, foster ideas, and hone their art historical knowledge. “We’re open six days a week, from 11 a.m until 8 or 9 o’clock at night,” said McCleary. “People can come and eat, work in the library and do their homework, and also have access to a really great staff and faculty of artists.” The books range from monographs of individual artists to scholarly works on architecture, fashion, art therapy—the list goes on. Teachers integrate the books into their classes and if a student is researching a particular subject or artist, McCleary will make an effort to obtain the needed materials.

Read the full post on Artsy.Net

Tristan Barlow and Hans Neleman Featured in Wall Street International

Anita Rogers Gallery is thrilled to introduce the work of Tristan Barlow and Hans Neleman in an upcoming two-person exhibition. The show, on view from January 10 through February 11, 2017 at 77 Mercer Street #2N, New York, will include original oil paintings from Barlow and mixed media assemblages from Neleman. Both artists embrace bold motifs, strong colors and a sense of the paradoxical, whether it be in the playful yet dark tone of the works, the frenetic yet balanced compositions or the elegant yet provocative nature of the forms.