Tag Archives: New York City

Womenly Magazine Reviews Garbasz

Yishay Garbasz is a Berlin-based interdisciplinary artist whose work, for over two decades, has explored the “cultural specific inheritance of traumatic memories.” We visited her most recent exhibition, Women’s Art Doesn’t End at The Outer Labia, at Anita Rogers Gallery in NYC upon its opening in May. The exhibition explores geographical sites left in the wake of war, terror, and significant moments in her life during some of the darkest parts of history. Images of Japan’s Fukushima Prefecture, the site of the second most catastrophic nuclear disaster in history (second only to Chernobyl), and moments from her mother’s lived experience during the holocaust both appear across the gallery walls.

Meeting Garbasz for the first time leaves you with a certainty that her work is derived from somewhere profound and brave. In 2010, her exhibition Becoming appeared at The Busan Biennale in Busan, South Korea. Described as a straightforward look at gender affirmation and the gaze on transgender identity in our society; from language to body image and making early fashion choices.

Women’s Art Doesn’t End at The Outer Labia portrays the real intimacy of the human body and the physical space it takes up. The combination is her work. A lesson in symbiosis.  Eat Me Damien, a piece on display at the very front of the gallery, displays Garbasz’s testicles, removed during a gender affirmation surgery and preserved in formaldehyde. An opposite wall holds a larger than life barbed-vagina, which Garbasz spent long hours installing in the gallery just days prior to the opening.

The exhibit creates heavy moments for the viewer, challenging you to place yourself in these dark moments. Breathing them in as you dare to see further into what they represent. Provoking strong emotional reactions whether they’re intended by the artist or not. Her work challenges us to see humanity for what it is. Even when we have our own ideas of what people, places, and events represent throughout time. Women’s Art Doesn’t End at The Outer Labia feels deeply personal. Emitting the pain and raw energy that can be marginally felt within her photography and installations.

Women’s Art Doesn’t End at The Outer Labia is on display at Anita Rogers Gallery at 494 Greenwich Street until June 18, 2022.

By Attia Taylor

Pictured above: Yishay Garbasz, Untitled Vagina, 2022, Barbed wire and Razor Wire, 113″ x 69″ x 15″

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William Scott on View at the Barbican

A revelatory new take on art in Britain after the Second World War, a period when artists had to make sense of an entirely altered world.

Postwar Modern explores the art produced in Britain in the wake of a cataclysmic war. Certainty was gone, and the aftershocks continued, but there was also hope for a better tomorrow. These conditions gave rise to an incredible richness of imagery, forms and materials in the years that followed.

Focusing on ‘the new’, Postwar Modern features 48 artists and around 200 works of painting, sculpture, photography, collage and installation. It explores the subjects that most preoccupied artists, among them the body, the post-atomic condition, the Blitzed streetscape, private relationships and imagined future horizons. As well as reconsidering well-known figures, the exhibition foregrounds artists who came to Britain as refugees from Nazism or as migrants from a crumbling empire, in addition to female artists who have tended to be overlooked.

Morning in Mykonos, 1960-61 is one of five works by William Scott which can be seen at the exhibition.

By Postwar Modern New Art in Britain 1945-1965

Pictured above: Morning in Mykonos, 1960-61 © Copyright William Scott Estate. Courtesy of William Scott Foundation.

View more on Barbican.org.uk

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Artnet Highlights Yishay Garbasz

Yishay Garbasz’s images explore themes of gender, trauma, and memory. Through depictions of sites of trauma and violence, and explorations of gender and identity, Garbasz shines light on people, places, and memories that are often overlooked, presenting them with clarity, compassion, and pride.

View more on Artnet.com

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Rome Art Program Interviews George Negroponte

Art, whatever it takes – RomeArtProgram has made interviews with people involved in art, living in Italy, the USA and the UK, to know their feelings during the emergency.
– George Negroponte interview:

RomeArtProgram: What is your definition of “Art” today?

-George:  I like thinking about “culture,” and more specifically, as it relates to painting: I am dedicated to the meaning of painting as a visual language: absorbed and learned over time. I write about painting a lot, and I admire Fairfield Porter as a critic and painter. He wrote intimately about it. Beautifully. Porter saw painting as a manifestation of desires, urges, and needs arising from the deepest realms of the psyche. Equally important was his belief that painting has its own terms. It is not programmed, nor can it be imposed upon.

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RAP: Art is dynamic and regenerates itself… how does it change, and how did it change us?

-George: Not sure. Your question suggests an endless supply of it (art). I don’t see it as a given; it’s earned or warranted only when our highest aspirations mysteriously come together without reason. I see it as disruptive, even chaotic. The art world I know is wildly competitive and aggressive. Noisy. But the fundamental nature of art is uncompromising. It does not tolerate manipulation.

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RAP: When (and how) did you understand that art was becoming very important in your life?

-George: When I was five or six, my father started to paint as a hobby. He was a weekend painter, wore a blue beret, and copied Cezanne. Eventually, it made him miserable because he didn’t think he was improving.
It was too bad because he poured his heart into painting.

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RAP: What role does art play today? What are the “great figures” who have recently changed it? Do you feel close to any of these figures?

-George: I’m still grappling with what Cezanne did to painting.
Pollock gave painting gravity in every sense of the word.
Brice Marden is a painter I have always admired.

Pictured above: George Negroponte. My Rothko. 2018. Mixed Media on Canvas. 8″ x 8″

Read the full interview on RomeArtProgram.org

View on AnitaRogersGallery.com

Tribute to Chris Finch: James Scott’s Films

As a tribute to the passing of Chris Finch, my films “Richard Hamilton” and “RB Kitaj”, which we worked on together, are available for viewing on Vimeo. 

Click Here to Stream the Films

I first met Chris Finch in the sixties in London. I had just made the first in a series of films on contemporary artists, a film on David Hockney, and had been commissioned to make another for the Arts Council. This was to be a film on RB Kitaj and I approached Chris to appear in the film and talk to Kitaj. A year later, I began another project on Richard Hamilton, known as the father of ‘pop art’. Again, I approached Chris and he agreed to participate, even though Hamilton’s first words were: “I don’t like films about artists.” So we began by taking a Nagra recorder and sat down with Richard Hamilton to make a series of interviews that became an integral part of the film.

Chris became a friend, but sadly I lost touch with him when he left England for a teaching job in America. Many years later, after I myself had come to live in Los Angeles, we re-united. His passing is a blow to the art world as well as family and friends. His brand of eclecticism was unique. His humour and talent in so many fields unrivaled. I am streaming the two films, RB Kitaj (1967) and Richard Hamilton (1969) for a week as a tribute to Chris.

– James Scott

Pictured above: James Scott, Still from the film Richard Hamilton (1969)

View James Scott’s Films

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Hinnemo and Negroponte Featured at Keyes Art

Work by Virva Hinnemo and George Negroponte is currently being shown alongside John Battle at Keyes Art in Sag Harbor. The exhibit, Eyewitness, is on view to the public October 9 – November 28, 2021.

Eyewitness is an exhibit meant to confirm that Modernism is alive and well: art-making immersed in a visual and pictorial language, aspiring to convey meaning with ancient tools. Embedded in these works is a struggle to clarify purpose and the urge to ignore the cheeky posturing of the zeitgeist of the 1960s.

~George Negroponte October 2021

Eyewitness

Opening Reception: Saturday, October 9th, 6-8pm
Open from October 9th – November 28, 2021

Keyes Art Gallery
45 Main Street
At the American Hotel
Sag Harbor, NY

Pictured above: Virva Hinnemo, View from a Tent, 2021, oil on linen.

View more on JulieKeyesArt.com

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Jan Cunningham in ‘150 Years of Women at Yale’

Work by Jan Cunningham is currently on view in the exhibition ‘On the Basis of Art: 150 Years of Women at Yale’ at the Yale University Art Gallery in New Haven on view September 10, 2021 – January 9, 2022.

On the Basis of Art: 150 Years of Women at Yale showcases and celebrates the remarkable achievements of an impressive roster of women artists who have graduated from Yale University. Presented on the occasion of two major milestones—the 50th anniversary of coeducation at Yale College and the 150th anniversary of the first women students at the University, who came to study at the Yale School of the Fine Arts when it opened in 1869—the exhibition features works drawn entirely from the collection of the Yale University Art Gallery that span a variety of media, such as paintings, sculpture, drawings, prints, photography, and video.

The title of the exhibition references the phrase used in the landmark 1972 US federal law Title IX – which declared that no one could be discriminated against “on the basis of sex” in any education program receiving federal financial assistance, and which forced the School of Art to hire full-time female faculty beginning that year. Amid the rise of feminist movements – from women’s suffrage at the turn of the 20th century, to the ERA movement of the mid-20th century, to the #MeToo movement of today – this exhibition asserts the crucial role that women have played in pushing creative boundaries at Yale, and in the art world at large.

The Gallery is open Friday 5 pm – 8 pm, and Saturday and Sunday 10 am – 6 pm. You may reserve your ticket for the day: https://artgallery.yale.edu/hours-and-directions.

Pictured above: Jan Cunningham, Via Flavia Gioia, Priano, Italy 11 November 2012. On view in On the Basis of Art: 150 Years of Women at Yale.

View more on Yale University Art Gallery

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How to Hire a Nanny: What to Know and How a Nanny Agency Can Help

Hiring a nanny is a huge commitment for a family and one that shouldn’t be entered lightly. British American Household Staffing (BAHS) is here to take the headache out of the entire process by providing personal attention, expert advice, and a roster of thoroughly screened nannies.

Below is a general outline of what to expect when you begin the process of hiring a nanny.

What Nanny Is Best For Your Child(ren) and Lifestyle?

Understanding your family’s specific needs are necessary in order to recognize your perfect nanny. A few questions to consider are:

  • What are the ages of your children?
  • Would a nanny specialising in education and tutoring be ideal?
  • Does your family travel extensively?
  • Do the children need full-charge care?
  • Would a high-energy nanny that can keep up with busy schedules be best?
  • Or would your children thrive with a calm, quiet presence?
  • Do you employ other staff in your home and need a team player, or a nanny that works best autonomously and knows what to do with little direction?

 

Beyond the basic nanny duties, many experienced candidates bring further expertise. Depending on your needs and a nanny’s qualifications, your home may benefit from one of the following kinds of nannies:

 

Full-Time Nanny

The most common kind of nanny is one that works full-time with one family. The nanny’s exact schedule depends on the family, but full-time nannies most often care for the children while the parents are at work and/or handling household management beyond childcare. A full-time nanny will be comfortable working with other household staff, coordinating calendars, planning activities for the children, preparing food for the children and keeping all of the children’s areas neat and tidy.

 

Part-Time Nanny

Part-time nannies offer much needed support for busy families that need afterschool or weekend childcare. Afterschool pickups and transportation for older children are usual responsibilities for part-time nannies.

 

Nanny-Tutor

Many of BAHS’s nannies have extensive backgrounds in education and childhood development. A nanny-tutor will be able to prioritize educational activities and work with each child’s unique learning styles to foster an engaging environment. Many nanny-tutors also speak a second or third language and can instill a multi-lingual environment for your child(ren).

 

Travel Nanny

For on-the-go families, a nanny well-versed in traveling is essential. A travel nanny will know how to pack, arrange travel, manage children through transit hubs and be able to problem solve in an unfamiliar environment when necessary.

 

Nanny/Personal Assistant

The nanny that can take on personal assistant tasks can be a big help for busy families with older children that don’t need as much attention. Your nanny/personal assistant’s first priority will be childcare, but when the children are at school or afterschool activities, the nanny will be able to help out in other ways around your home. Errand running, calendar coordination and household organization tasks can be given to a Nanny/PA, sometimes called a Family Assistant.

 

Newborn Nanny

Nannies that specialise in newborn care have extensive experience with newborns, infants and toddlers. They will understand the specific needs of each child’s development stage and be able to navigate each stage’s unique challenges.

 

View the full post on British American Household Staffing’s blog. 

Opening Up on Miscarriage, Isolation & Grief

 

 

 

 

 

 

Our very own Katherine Patterson opens up about her pregnancy loss and why we should never give up hope.

There’s an uncomfortable reaction around the word ‘miscarriage.’ For those hearing the news, and for those who bear it, communication can feel awkward and superficial. Unlike a death of a friend, a parent or a grandparent, there seems to still be a resounding taboo around knowing what to say or do in response to the loss of a baby that hasn’t yet been introduced to us.

This taboo extends to women’s bodies, especially women’s bleeding, whether it be menstruation or miscarriage.

It seems to make people feel very uncomfortable, perhaps because the subject either gets politely avoided or swept under the rug.

“People don’t want to know,” said Julia Bueno, a London-based psychotherapist and author of On the Brink of Being: Talking About Miscarriage.

“It has taken a woefully long time for miscarriage to be taken seriously by the medical profession.” In the absence of knowledge and data, Bueno noted, women in their desperation for an explanation will find reasons to blame themselves. “They’ll say, ‘Oh, I shouldn’t have had that cup of coffee.’ The void creates a strong pull to blame oneself.”

 

View interview with Katherine Patterson on the British American Household Staffing blog. 

Q & A: Your IVF and Surrogacy Questions Answered

Our British American Household Staffing team had the pleasure of sitting down with London’s leading provider of high-success fertility treatments, Harley Street Fertility Clinic.

Here, we join them as they take our questions regarding fertility treatments and share their advice on how to perfectly balance the first steps of fertility treatment, from IVF to surrogacy, with their personable and private services designed by their impeccable team of specialists for you to begin your wonderful journey.

 

 

Q: What is involved in the surrogacy process?

A: Surrogacy refers to an arrangement when one woman carries a baby or babies for another woman/couple and hands over the baby after birth. The couple, or single person, who wish to have the baby are called the intended parents. The woman who carries the baby is called the surrogate. There is provision within the Human Fertilisation & Embryology Act 1990 as amended for the granting of parental orders for situations involving surrogacy as long as particular criteria are met. We strongly advise that you seek your own independent legal advice prior to embarking upon surrogacy treatment.

 

Read the full interview on British American Household Staffing’s blog.