Tag Archives: Anita Rogers

Anita Rogers Discusses Childcare with CNN

What it takes to be a $200,000-a-year Nanny

Child care positions aren’t usually thought of as high-paying jobs. But with wealthier families seeking nannies that are trained in newborn care, child development or languages, it’s becoming more common to see in-home caregivers earning six-figure salaries.

Marly Higgins Driskell is a certified master newborn care specialist in Houston.

Marly Higgins Driskell is a certified master newborn care specialist in Houston – Courtesy of CNN.

In demand are top-tier, career nannies who have specializations, certifications and loads of experience.
“We’ve seen a lot of requests for Mandarin and French speakers in the nanny role,” says Keith Greenhouse, chief executive of the household staffing company Pavillion Agency. “Lately more than ever people want someone who is tech savvy and nannies who can move into a family assistant role.”
Such nannies work long hours or overnights and may even travel with the family. But they can make between $150,000 to $180,000 a year in places like New York or Los Angeles. Sometimes even more in the Bay Area.
“Families are paying over $220,000 a year in San Francisco,” says Anita Rogers, president and founder of British American Household Staffing. “There’s a value in paying well for your employees, especially in your household.”

 

Visit CNN.com to read the full article.

Inside Edition Sits Down with Anita Rogers to Discuss Norland Nannies and Baby Sussex

Could One of These Super Nannies Be Hired to Care for Baby Sussex? 

12:37 PM PDT, May 6, 2019 – Inside Edition

Mary Poppins meets James Bond?

Known as “Scary Poppins,” these nannies in training are students at Norland College, a prestigious British academy that has a long history of placing its graduates with high-profile clients.

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Could one of them be tasked with looking after Meghan Markle and Prince Harry’s newborn son? After all, that’s what Prince William and Kate Middleton did.

At the school, the nannies learn typical tasks, like cooking and sewing, as well as more atypical ones, such as driving away from the paparazzi and self-defense.

Princes George and Louis and Princess Charlotte are often seen with their Norland nanny, Maria Borrallo, who sports the school’s distinctive brown uniform whenever she’s out on the job.

So should Meghan and Harry hire one?

“These are the creme de la creme of child care providers,” Anita Rogers of British American Household Staffing told Inside Edition. “And they understand everything. In Meghan and Harry’s situation, they are going to need nannies that are looking out for the safety of the children 24/7.”

She added: “Only this kind of nanny works for this kind of household. Hire the one that’s the best fit for your family.”

Anita Rogers Gallery to Host Annual Taverna Rebetika

Please join us for TAVERNA REBETIKA, a night of Traditional Rebetiko and Smyrnaiko music hosted by Anita Rogers Gallery in SoHo on December 1st, 2018.

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Greek food, wine and kefi for all!

 

Live Music by I Meraklides

Anita Rogers: Voice and guitar

Dimitris Mann: Bouzouki and voice

Beth Bahia Cohen: Violin and baglama

Vasilis Kostas: Laouto, voice and guitar

 

$20 online before 12/1. $25 at the door.

 

Anita Rogers Named to the Jury of The National Association of Women Artists’ 129th Annual Exhibition

195 Chrystie Street Gallery, NYC (Lower East Side), Location of the 129th Annual Members’ Exhibition.

The National Association of Women Artists is honored to present its 129th Annual Members’ Exhibition, a show of paintings, works on paper, sculpture, mixed media, photography, and collage by established member artists.  This year, the exhibit will be held at 195 Chrystie Street in the artistic heart of New York’s Lower East Side.  For two weeks, members’ artworks will be on displayed 7 days of the week, just a heartbeat away from the New Museum of Contemporary Art, the International Center for Photography, the celebrated Tenement Museum and many other galleries and restaurants ideal for the gallery-going public.

The Annual Member’s Exhibition continues NAWA’s long history of nurturing and inspiring talented, visionary and dynamic women artists from throughout the United States.  NAWA was founded in 1889 by five brave and innovative women who were barred from full participation in the male-dominated National Academy of Design and the Society of American Artists.  Early exhibitions included works by Mary Cassatt, Suzanne Valadon among others and as the roster grew, Gertrude Vanderbilt Whitney, Louise Nevelson and Alice Neel became noted member luminaries. NAWA’s existence is a testament to the integral and essential role of women in the art world.  NAWA’s president, Jill Cliffer Baratta, will be hosting the opening reception and award ceremony from 6:00 – 9:00 pm. on Thursday, October 11, 2018, with over $10,000 in awards.

This year’s lineup of jurors is an impressive one—a distinguished painter-writer-teacher, a SoHo gallery owner and a senior curator for the Brooklyn Museum.

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ArtSpiel Reviews Discourse: Abstract

Discourse: Abstract at Anita Rogers Gallery in SoHo, New York

 Photo courtesy of Nina Meledandri

Discourse: Abstract at Anita Rogers Gallery, is an 11 person painting show; one work per artist. As with Sutures, each of the works has its own distinct style and presence. They run the gamut from small to large; some unabashedly dependent on color, while others employ a very limited palette. But where Sutures radiates energy and activity, Discourse is quiet and thoughtful; the atmosphere in the gallery is contemplative with each work demanding to be seen in its own time which the generous gallery space allows for.

The coherence of the show comes from a shared command these artists display of both materials and process. One feels these works were chosen as much to create a discussion about the current state of abstraction as to provide a gateway into further exploration of each artist’s oeuvre. Much of the work presents a concern with formal considerations but the show does not ignore conceptual exploration, gestural passages and mixed media; Lael Marshall’s piece, for example, could have easily found a home in Sutures.

At opposite ends of the exhibition (literally and figuratively) are works by Susan Smith and Mary McDonnell. Smith’s piece is one of the smallest and is composed of primary colors. It is seemingly straightforward, an initial impression that is challenged by an unexpected juxtaposition of media. What appears to be a simple formal construction of three squares becomes strangely visceral and moving in its elegant handling of materials.

McDonnell on the other hand is represented by a large work is unruly and fairly bristling with color which seems to emerge in spite of its dark palette. It is also a profoundly gestural work that is barely contained by the canvas, as if she just managed to capture the presence of some unknown force.

In between these pieces is Joan Waltemath’s painting where hard edge black forms lay atop a field of expressive and beautiful colors, reading perhaps as blips of data floating across our lives. This painting acts almost as a map of the exhibition;  it has aspects of almost every work in the show containing as it does, an exploration of color, an authority of line, the power of “the edge”,  an expressionist sense of abstraction and the layering of elements.

View more information at AnitaRogersGallery.com

Gordon Moore | Abstract Intention | Salina Art Center

Paintings & Works on Paper, 2007-17

On view: September 19- December 16, 2018

Salina Art Center

242 S. Santa Fe Avenue
Salina, KS 67401

Untitled, 2016, Acrylic, oil, and pumice on canvas, 65" x 42"

Untitled, 2016, Acrylic, oil, and pumice on canvas, 65″ x 42″

Gordon Moore | Abstract Intention

The essential idea in my abstraction is to extract visual elements inherent in the ‘detritus’ of everyday life and reorder their original presence. The juxtaposition of order and chaos, of the organic and the geometric, of clarity and ambiguity, and of diffusion and resolution form the genesis of my work. Our organic lives are ‘ordered’ out of the architectural geometry which surrounds us. That paradox is rampant with potential for visual construct, the arrangement of which supplies the optic content of my work.                                            

– Gordon Moore

Since his arrival in New York City in 1972, by way of New Haven, Connecticut, where he earned an MFA in painting at Yale University, Gordon Moore has been steadfast in his commitment to abstraction. For over four decades, Moore has devoted his studio practice to developing a deeply personal visual language with which to explore, reconcile, and transcend oppositional realities. Moore’s images reference commonplace shapes and forms encountered during daily life in the chaotic, urban environs of New York City. Venetian blinds, architectural elements, a handmade palm leaf fan, and plastic spikes used to deter pigeons from roosting are among the many objects in which he finds visual inspiration. The work in this exhibition spans the years 2007 and 2017, a period during which the artist’s ongoing investigation into the material and visual potential of photographic paper has yielded significant and powerful results. Moore’s paintings and drawings brim with a seductive uncanniness; there is a compelling and enigmatic ambiguity at work in the interplay among line, plane, and space. One is never certain about what one is seeing. Free of irony and pregnant with metaphoric potential, Moore’s imagery works toward a reconciliation of extremes — visually, materially, and otherwise.

exhibition programming

Lunch & Learn with Gordon Moore
Wednesday, September 19, 12-1 p.m. Bring a sack lunch, refreshments provided.

Opening Exhibition Reception & Artist Talk
Thursday, September 20, 6-8 p.m. Talk at 7 p.m.

Guided Exhibition Tours
October 13, November 10, December 8, 2 p.m.
All programming is free & open to the public.

Town and Country Magazine Turns to Anita Rogers for Household Staffing Expertise

What’s the Difference Between a Butler and a House Manager, Anyway?

“Is he your butler?” writer Taffy Brodesser-Akner asks Paltrow, referring to the man who greeted her—and then served her a glass of wine—at Paltrow’s home.

“No, he’s a house manager,” Paltrow responds. “He’s the best. He’s from Chicago. He’s so incredible. He helps me with everything.”

The entire exchange, which consisted of approximately 43 words, was one of the most buzzed-about takeaways from the piece. It even prompted The Times of London to publish an imagined “conversation” between the actress and her non-butler butler. Was it a classic case of Paltrow pretentiousness—or has GP stumbled upon a phenomenon just before it goes mainstream? (You know, as mainstream as household staff gets.)

In an effort to get to the bottom of this decidedly one-percent debate, we reached out to British American Household Staffing, an agency that provides formally trained estate managers, personal assistants, chauffeurs, governesses, butlers, and baby nurses to the kind of clientele that can afford it. Surely, they would be able to shed some light on the subject.

“She’s acimagetually right,” says BAHS president Anita Rogers. “They have very different backgrounds and different roles. A house manager oversees the structure of the staff and typically does all of the hiring and firing. They handle scheduling—making sure a chauffeur is always on call, housekeepers shifts are covered, and that a replacement is available if someone calls in sick. They’re also responsible for the budgeting, financial planning, and overall management of household.”

Butlers, on the other hand, are more service-oriented. “A seasoned butler is properly trained in etiquette, so they understand how to serve a meal and handle all the details, from the wine pairings down to the flower arranging,” explains Rogers. “They provide a white glove experience, which not everyone needs or wants. In Silicon Valley, for instance, no one would have a butler. But in New York, it’s much more common.”

And while house managers frequently come from a hospitality background—often having worked as the chief of staff at a high-end hotel or resort—butlers are trained at a specialized and credited butler academy.

So there you have it. Gwyneth, Queen of Goop, was right all along. Of course she was. Did you really expect anything less?

Visit BAHS.com for more info.

Anita Rogers Gallery Participates in Tribeca Art + Culture Night

June 21, 2018

Tribeca Art+Culture Night is a quarterly local arts festival that celebrates culture at large in Tribeca. It is free and open to the public.

This urban festival embraces the diversity of creative expression, from drawing to design, performance to crafts, music to fashion, and everything in between.

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25+ Lower Manhattan venues participate to the festival, including indoor and outdoor spaces such as art nonprofits, galleries, and parks. The event brings the greater New York City community together around exhibitions, performances, talks and workshops.

Jennifer Famery-Mariani, Director and Chief Curator of TAC Night launched the festival in 2016.

On June 21, Anita Rogers Gallery will participate for the first time. Work by Mark Webber and Jack Martin Rogers will be on view; the gallery will stay open until 9pm.

 

View More on anitarogersgallery.com

Hamptons Art Hub Highlights Anita Rogers Gallery for Tribeca Art + Culture Night

Tribeca Comes Alive with Art & Performance on Thursday, June 21, 2018

June 20, 2018

Man-with-Guitar-Jack-Martin-Rogers-ANita-Rogers-GalleryTribeca is the place to be on Thursday, June 21, 2018 when the New York City neighborhood hosts the Spring edition of Tribeca Art & Culture Night (TAC Night). Offered four times a year, TAC Night features art performance, dance, artist tours, gallery talks, open studios, workshops and more taking place across the Downtown New York neighborhood.

Tribeca has a concentration of around 50 art and design galleries along with schools, non-profits, performance art centers, craft makers and more, according to TAC Night’s website. TAC Nights help draw attention to the creative and art concentration by drawing the neighborhood together and offering a formalized slate of gallery tours, performances and special events that can take place inside venues or in the streets.

The spring edition features around 30 venues and partner organizations. Participant galleries include 205 Hudson Gallery at Hunter College; Alexander and Bonin; Anita Rogers Gallery; apexart; Cheryl Hazan Gallery; Hal Bromm Gallery; Lubov Gallery; Ortuzar Projects; Postmasters Gallery; The Drawing Center; The Untitled Space and others.

Performance and live arts helps to make the evening a special one. There are no fewer than 40 special events that include workshops, live music, poetry readings, play writing, dance, exhibition tours, artist talks, collecting insights, feng shey of carpet colors and shapes and much more.

Tribeca Art & Culture Night can be experiences several ways. Participants can sign up for guided tours with an art specialists or register for a TAC Night Pass to experience the evening as a free spirit. Reservations for exclusive events can also be accomplished through the website. Click here to begin. In addition, maps can be found at participating venues.

View Event Details on anitarogersgallery.com

Summer Group Exhibition I Featured on ArtDaily.org

Exhibition of drawings by Jack Martin Rogers and sculpture by Mark Webber opens at Anita Rogers Gallery

June 10, 2018

NEW YORK, NY.- Anita Rogers Gallery is presenting Summer Group Exhibition I featuring drawings by Jack Martin Rogers and sculpture by Mark Webber. The exhibition is on view June 6 – July 14 at 15 Greene Street in SoHo, New York.

Jack Martin Rogers was born in WarwicMW 004kshire, UK in 1945. He studied anatomy and fine art at the Birmingham School of Art. He moved to the island of Crete in Greece in 1962, which is when he began painting his most prolific work. Rogers went through many stylistic periods, ranging from fully figurative to abstract. He died in 2001, leaving behind an extraordinary body of work. Seventy-five percent of his estate is owned by his daughter, Anita Rogers.
“Texture, composition, simplicity, and an organic element are all part of my exploration. What unfolds off the wall and/or into space must be aesthetically pleasing and embrace silence after all the work has been done. My materials all come from materials being used in modern homes.” – Mark Webber

Mark Webber’s sculpture from his prolonged series “Structures: Walls: Portals and Vessels” explore qualities related to architecture, but are firmly sculpture. The conceptual line that divides the two, especially as manifested in “emotional architecture” as described by Mexican architect Luis Barragan, is always at play with his sculpture.

In another series “Structures: Vessels,” Webber moves away from the simplicity of the rectangle as a building plane in space and embraces a similar conceptual line in the curves found in naval architecture. With vessels, he explores what can hold space, open and closed, while referencing what defines the canoe/kayak form in sculpture.

Webber resides in Sag Harbor, NY where he has worked as a cabinetmaker for many years. There he learned the craft of making objects and put in his time to develop that ability. Webber studied under Charles Ginnever and Peter Forakis at Windham College in Vermont. He received a BFA in sculpture at SUNY, Purchase. He has exhibited at many galleries in the Hamptons and is in several private collections on the East Coast.

More Information at anitarogersgallery.com